Ron Mueck's
hyperrealistic human sculptures make you feel as if you are invading someone else's intimate moments.
Some of them are deliberately
disconcerting, but looking at them makes you feel more alive and self-aware.
Ron Mueck is an Australian artist that shifted his focus from the film production to the fine arts. His sculptures illustrate the artist’s attempt to portray the cycle of life, from infancy to the different stages of adulthood.
Mask II
2001-2
A self-portrait that
appears to be real, responding to gravity by sliding downward.
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Mask II |
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Mask II |
A Girl
2006
The
monumentality of this sculpture reflects the enormity of the moment.
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A Girl |
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A Girl |
Couple under an Umbrella
2013
An internal moment of affection between the two. The interdependent poses of the figures emphasize the strength and complexity of partnerships built over time. Every sign of aging underlines the fullness of the life.
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A couple under an Umbrella |
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A couple under an Umbrella |
Two Women
2005
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Two Women |
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Two Women |
Seated Woman
1999
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Seated Woman |
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Seated Woman |
Man in Blankets
2000
From a distance, this sculpture may seem to portray a small infant
wrapped in blankets. Up close, however, the figure within is revealed to
be an adult man, rendered at a much reduced scale, reminding us of the
inevitable cycle of life and death, and the need of comfort in the face
of this awareness.
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Man in Blankets |
Mother and Child
2001-2003
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Mother and Child |
Still Life
2009
Mueck renders his subject with unflinching realism, capturing the distinct texture of plucked and slashed skin, as well as the pull of gravity and the absence of life. The viewer knows its superiority and is humbled.
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Still Life, 2009 |
Man in a Boat
2002
The man, stripped bare, is traveling from the physical world into the unknown. Like all of us, he launched into the sea of life without a map to navigate through.
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Man in a Boat |
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Man in a Boat |
Woman with Shopping
2013
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Woman with Shopping |
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Woman with Shopping |
Youth
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